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Production & Logistics

My work in production is grounded in practical execution and clear communication on set. I focus on supporting directors and department heads by translating creative intent into workable plans that keep the day moving without losing control of time or resources. Most recently, I led the production of “The Feather”, a virtual production thesis film at NYU’s Martin Scorsese Virtual Production Center, where I coordinated a 50-person crew and managed LED volume workflows across prep, shoot, and post. That experience strengthened my ability to respond quickly when plans shift and keep departments aligned under pressure.

Alongside this work, I’ve gained on-set experience as a Production Assistant with the Film Unit at “Saturday Night Live”, where decisions happen fast and priorities can change hour to hour. Working in that environment reinforced how essential calm leadership and precise communication are to keeping a set functional. Across both virtual and traditional production settings, my focus is consistent: support the director’s vision, protect the crew, and keep the production on track.